In this photo, the leaves are scattered in a much more compact area. In the image to the right, you can observe that the background was smaller than the branch itself to i could only capture a limited amount of the plant. This could be improved by adjusting the exposure to let more light in. This would make the photograph lighter. A hand is shown in the right image. Next time, I will make sure that the photo is just made up of plants to make it seem more realistic in recreating the artists work. |
The colour in this photo is much more abstract to the photo to the left. The difference in this photo is that it was shot from further away. This photo would have been much better if I followed the idea of the artist where no hands are shown. This would of made the recreation more realistic. The proportion of the structure of the image contrasts to the photo on the right because in this photo, more white areas are shown in the image and more leaves are placed in the bottom part of the image.. |
In these photographs, aim was to really objectify the plants. I think that I have done this well in both photographs. The first picture, of the green leaves, was shot with a long depth of field, allowing the camera to focus all of the image. |
The second image of the purple flowers was shot on the macro setting, allowing the camera to create a photograph which picked out the chosen point and focusing on that. This creates a blur in the backdrop of the image. |
In this task, we were told to recreate the work of Sanni Kannisto. In the studio, we set up a replica set up to Sanni Kannisto. The photos that I shot in the studios were supposed to replicate Kannisto's work and I think that I have done that to a good extent. The depth of the field was set to a high so I could get every single area of the frame and the plant in focus in the image. |
In this task, we were told to recreate the work of Sanni Kannisto. In the studio, we set up a replica set up to Sanni Kannisto. The photos that I shot in the studios were supposed to replicate Kannisto's work and I think that I have done that to a good extent. The depth of the field was set to a high so I could get every single area of the frame and the plant in focus in the image. |
These photographs are my response own response to Sanni Kannisto. In these photos, you can see that I have added in artificial plant images to contrast with the natural green plants in front. |
These photographs are my response own response to Sanni Kannisto. In these photos, you can see that I have added in artificial plant images to contrast with the natural green plants in front. |
This was one of my favourite images from the visit to St Giles Hotel, Central London.
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This is a photo I shot near Hays Galleria in London Bridge. The shot captures sights of half of tower bridge and nearly the full length of the H.M.S Belfast Ship. I thought that this photo worked well as the subject of the strand of structure in the city so I decided to capture two famous landmarks and create a photograph. The edit that I used creates a sense of complication in the structure of the photo, this is because it picks out every line of the photo, almost making it look like a drawing. The effect emphasises every single part of structure in sight. The Navy ship's colour connects with the joint of the bridge.
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I took this photo at the rooftop of the Royal Festival Hall, Embankment, London. The urban bridge and the green trees creates a contrasting effect on the image. The edit on this photo really emphasises the tiny details of structure on the bridge. This is shown in the multiple lines that are created when the original photo was edited. I feel like the proportion of this image is correct, there are multiple subjects active in the image for example, the bridge, the trees, the river and the train lines. The large building in the middle of the photo at the top creates an interesting symmetrical effect on the image.
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This photo was taken on London Bridge. I decided to capture one of London's most well known transport links, the Red Bus. I feel like this links to the theme of structure as it shows the components of the front of the bus to an extent that is easy to view. Also, I decided to take the shot in this moment due to the vast, victorian buildings in the buildings. This creates a opposing effect in the image, almost like old vs new. The edit on the buildings behind really conveys how detailed they are, even thought they seem quite plain in normal observations. The colour contrast on the bus makes it stand out to the rest.
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This photo was taken in the gardens of the roof at 20 Fenchurch Street. I love this image because it really links to the theme of structure as it brings out all the components of the structure the plant. The flower almost looks completely round with the circumference of the plant have a completely opposing colour to the centre. The reflection on the purple pettles makes the plant look like the flower has three colours when in fact it only has one.
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My favourite part of this image is the contrast of colours in the same fruit. The macro shot of the small green tomato in a way reflects on the rest of the image. The background represents grown and the front of the group represents youth and growth. This photo links to the theme of structure as the structure of the plant's fruits grow in a certain formation so that they are capable to expand to full size. The colour of the leaves is similar to the colour of the young grown tomatoes.
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This photo is one of my favourite images. It shows so many varieties of vibrant colours in one image. The macro shot of the yeller centre, surrounded by the pink pettles links to the theme of structure as it creates a simple structure of a plant. The flower almost looks completely round with the circumference of the plant have a completely opposing colour to the centre. The outer part of the pink areas on the flower are covered white. This is a nice contrast of colours in the image.
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The whole point in this strand was so I could have the freedom of creating anything with just a simple template of someones face. In this image, I used Dillon to create a symmetrical effect on his face, on top of using an X-Ray effect on his skull also. Half of his face is normal, the other half has been edited to create a ghostly effect, looking like a skeleton. His black T-shirt makes the contrast in the other tone, completely white.
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In this photo, I started off by using Text Edit to create a glitch effect on the image. It worked by copying and pasting the image address to other parts of the document to create a glitch effect. I did not think that was very interesting so instead I made create a cartoon effect on my model, using the Poster Edges edit on Photoshop. After that, I cut out multiple lengths of the image to make them black so the final image came out as a pattern.
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This photo was taken during the 'Structure of the body' task. I made this image by cutting out different parts of the original image and using a sketch edit to replace them. This photo is sort of a mix between the two photos to the left as the X-Ray effect is used on top of creating a pattern in the image. The image works in the way that the subject of the image is skull and I have used a X-Ray effect to crate a final image.
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